VEXTRE: data based electronic art promotes conversation about rural reality

Some Spanish regions are facing serious problems of depopulation in rural areas, just like other European Union countries. After decades of new extractivism, blind faith in growth and an intentional concentration of services and opportunities for progress in urban areas, the countryside emerges as a place where living meaningful and healthy lives is still possible. In this context, art and culture seem to be the best way to overcome the dichotomy.
Maite Cajaraville, Spanish pioneer on new media art, was born in one of this emptied European regions, Extremadura. Combining this personal approach with her social and political vision, she started this data based electronic art project in 2017 to draw attention to rural communities and ultra-capitalism inequities.
From an exhaustive investigation of a variety of socioeconomic data of the municipalities of a region, Cajaraville generates physical and virtual three-dimensional sculptures. A 3D printer is used to create the physical ceramic piece, while the virtual piece is presented in augmented reality. In both physical and virtual sculptures, increases represent positive coefficients and depressions negative factors such as depopulation, female unemployment or other forms of inequality.
Although the project didn’t adopt the name of VEXTRE until 2021, as a result of an individual exhibition at the Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC, Badajoz), it was actually born five years ago as an invitation to talk about the rural world and its conditioning factors, but also about the new ruralities as a green territory of recovery, talent, culture, care and collaboration.
It started with data from the Spanish region of Extremadura, but its interoperability allows it to keep evolving local and internationally. On February 19, the translation of VEXTRE’s modus operandi to the Portuguese region of Alentejo will be presented under the name of ALVEX. It will take place in an individual exhibition at the Centro de Arte e Cultura – Fundação Eugénio de Almeida (Évora, Portugal), where the two sculptures created from socioeconomic data of this region can be seen for the first time.

Deja un comentario

Tu dirección de correo electrónico no será publicada. Los campos obligatorios están marcados con *